About
I'm an emerging composer, performer and rabbit, based in Manchester, with an interest in music about stories, fragments, environments and memory. I frequently centre close personal relationships within my practice.
In addition to composing for concert settings and soundtracks, and performing with sax, live electronics and spoken word, I am the founder and co-facilitator of experimental electronic music collective MASSIVE NUN.
More about me
Works
Ensemble
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they put an angora rabbit in the large hadron collider??????????????????????????????????????????? (2025), a picaresque for orchestra
Orchestra
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at least 134 miniatures (2024, revised 2025)
For four performers on flute (doubling piccolo), alto saxophone, cello and voice, with toy and miniature instruments, spoken word and live electronics
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Membranes (2024)
13 players
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How far can you walk into a forest? (2024)
Wind quintet
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Hand Tools (2023) for Ess
Wind ensemble
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Confluence (2021) A love song
Guitar, keyboard, tape, electronics, percussion
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Cake in Unexpected Places (2021)
String quartet
Voice
Solo
Installations and Electronic
Open
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I also dream't, which pleas'd me most (2025)
A work in progress developed as part of the Britten Pears Young Artists 2025-6 CAPPA programme, workshopped by me, Rosie Middleton, Carl Raven and Steph Tress
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jazz on a summer's day (2025)
Open, with live electronics and optional video
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Third Party (2025)
Performance art/audio installation, with solo performer
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Gift pieces (2024-)
Open and text scores, presented as gifts for loved ones
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Sonatinella (2024), for Hispid ensemble
At least three performers, applauding
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Notes on reconstitution (2024)
Open score, presented on a glass vase
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Abundance (2024)
One or more on-stage performers, plus recorded videos of loved ones
Soundtracks as Lying Pink
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© Rosemary Shapes Tickle